The University of Central Lancashire’s Special Collections contain a large number of books, documents, and historical resources of both national and international importance. For example, the Livesey Collection forms an internationally significant resource for the study of the Temperance Movement, while the Jeremiah Horrocks Observatory archive consists of records and papers from the Jeremiah Horrocks Observatory on Moor Park in Preston. The Wainwright Collection, donated to the University by the Wainwright Conservative Club in Blackpool, comprises largely late Victorian texts covering a range of topics related to British and Irish political history. The collections have recently found a new home on the Preston campus.
Hollows: Researching Preston
University of Central Lancashire Special Collections
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Imprints
Following a day in Lancashire Archives and a site visit to Meg Shelton’s grave, the Heavy Water Collective visited the Special Collections at the University of Central Lancashire. Margery Hilton’s vertical grave, marked by the granite boulder, remained at the forefront of my mind during my engagements, and I began to notice shapes and patterns in the imagery I encountered. Drawings of the 1927 eclipse found in the John Horrocks Observatory collection became a hole in the ground. Architectural features, illustrated figures, alchemic vessels and comets transformed in to visualisations of the rock, the absence of earth in the ground and the body that filled it. I began to collect these shapes, looking back at a series of slides I encountered in the Lancashire Archives too and gathering more examples. These images have been developed in to a series of prints and have informed the development of some sculptures in the studio. All the works are included in the Hanover Project exhibition.


















Following up on the research I conducted at Lancashire Archives, I continued to focus on health remedies. This inquiry came at a time of heightened turbulence in the world we live in. Symbolically, I wanted to find a recipe that could heal all pains and remedy wrongdoings. I found a recipe for eternal youth, but sadly the materials I uncovered spoke more about inequalities, exploitation, and subjugation than about beauty and health. This brought to the forefront the fact that tumult and disorder have long been part of how humans engage with the world, and that some of our current sorrows are unhealed wounds of our past.



At the University of Central Lancashire Special Collections, I research archival materials related to 18th- and 19th-century pharmaceutical recipes and home economics guidebooks from the same period. As observed in Lancashire Archives, medicine at that time became increasingly formalised and regulated as a profession. This shift was accompanied by the structural erasure of women from practices related to the management of health. While medicine grew more male-led, a growing body of literature sought to impart moral principles to women. Soon after, domestic sciences emerged, further distancing women from activities and forms of work in which they had once played central roles, such as farming, trading, and healing, to name only a few.
Another striking phenomenon observed in medical recipes is the inclusion of ingredients derived from non-native species, made possible by British colonial trade. This highlights another dimension of inequality and unequal power relations. The presence of cardamom, ginger, curcuma, and other spices in pharmaceutical texts serves as a reminder of the British Empire’s mercantilist and tightly controlled trade networks, which prioritised national wealth through the creation and maintenance of economic disparities. These exploitative practices laid important foundations for global capitalism, shaping patterns of trade and consumption that continue to influence the world today.


XXIV
DENIÉCOURT CHÂTEAU, ESTRÉES
The site of the Château is marked by the large heap of ruins near the centre of the drawing. It was used for head-quarters by Germans, French and British in succession. In the space on the left of the Château are some German soldiers' graves. Fastened to a tree on the right is the notice "Do not loiter here," which is often seen in places exposed to shell fire.
The dragon and the desert
Give way to the garden and the lake.
We have seen the dragon laid low
But the desert is still with us.
There are ruins everywhere,
Shambles where once were homes,
And desolation in place of civilization.
The squads of gravediggers
In man’s desolated world
The debris at our doors.
Selected excerpts from a post WW2 edition of the Methodist periodical The Home Fellowship, from an Article entitled The Delectable Land.

I
DESERTS
“In France the war has made several kinds of desert, each with a quality of its own, derived from the way in which it was made. Verdun I have not seen. Of the other deserts the first in date was
that of the Somme battlefield. In earlier parts of the “Western Front” it has been drawn, in sample, several times. It spreads so far that, in bulk, it can only be seen from the air. It is the most evenly finished of all these made deserts. From the Ancre to the Santerre you pass through different kinds of landscape. There are little hills, river meadows, and a high grain-bearing flat. Over them all there was laid in 1916 a kind of spotted brown counterpane or mask which makes them all look alike. The spots on this cloth are dense along its middle and grow less dense towards its fringe all round. To an eye that knew the country well before the war, it must seem now as if the villages, with all their differences of look, and the various greens or yellows of the old crops, must surely be hidden under this spotted coverlet. But really they are not there, and the brown is that of bare and raw earth, and the spots are shell-holes.” Muirhead Bone GHQ, France, 1917


